Combat America

Produced in 1943 under the guidance of Army Air Force Lieutenant Clark Gable, this film follows a single 8th Air Force B-17 crew from training through a series of missions over Europe.

Algeria 1943: A Colony Under Vichy Control

World War II, June 1940. France has fallen and suffers the relentless boot of Nazi Germany. But Algeria, the prized French colony in North Africa, remains part of the territory controlled by the Vichy regime of Marshal Pétain. A strict colonial order is maintained: the French of European origin rule, while local Jews are stripped of French citizenship and discrimination against the mainly Muslim population increases.

Mein Kampf

"Mein Kampf" presents the raising and fall of the Third Reich, showing mainly the destruction of Poland and the life Hitler, which is told since he was a mediocre student and frustrated aspirant of artist living in slums in Austria and Germany, until his suicide in 1945 after being the responsible for the death of million of people, and the destruction of Europe. All the footage is real and belonged to a secret file of Goebbels, inclusive with many very strong scenes filmed by Goebbels himself.

Memories of a World War II Hero: Captain Brown's Story

Tells the story of probably the world's greatest pilot through an extensive and in-depth interview: Capt Eric "Winkle" Brown CBE, DSC, AFC. From his flight with WW1 German fighter ace Ernst Udet in 1936 through to commanding a squadron of Buccaneers at the height of the Cold War, we hear how "Winkle" Brown experienced the rise and fall of Nazism; how he flew the most dangerous, uncontrollable aircraft, how he cheated death countless times.

Wartime Housing

During WWII, there was a need for affordable housing of decent quality. In response, small pre-fabricated homes were built quickly and efficiently to accommodate the influx of workers to urban areas.

Prelude to War

Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.

Report from the Aleutians

A documentary propaganda film produced by the U.S. Army Signal Corps about the Aleutian Islands Campaign during World War II. The film opens with a map showing the strategic importance of the island, and the thrust of the 1942 Japanese offensive into Midway and Dutch Harbor. Nominated for the Academy Award for Best Documentary Feature.

LSD Psychedelic Freakout 2000

A far-out trip through two hours of psychedelic clips from 1960's hippie flicks.

John Ford Goes to War

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

Wake Island: Alamo of the Pacific

This documentary is a captivating account of the defense of Wake Island by a small contingent of United States Marines and civilian contractors. From December 8th until December 23rd, 1941 the defenders thwarted an aerial attack and an attempted amphibious landing from a naval task force before finally being overwhelmed by the third attempt by the Japanese Imperial Navy.

Manouchian et ceux de l'Affiche rouge

The Liberation of Auschwitz

This chilling, vitally important documentary was produced to mark the 40th anniversary of the liberation of Auschwitz Concentration Camp. The film contains unedited, previously unavailable film footage of Auschwitz shot by the Soviet military forces between January 27 and February 28, 1945 and includes an interview with Alexander Voronsov, the cameraman who shot the footage. The horrifying images include: survivors; camp visit by Soviet investigation commission; criminal experiments; forced laborers; evacuation of ill and weak prisoners with the aid of Russian and Polish volunteers; aerial photos of the IG Farben Works in Monowitz; and pictures of local people cleaning up the camp under Soviet supervision. - Written by National Center for Jewish Film

Topaz

A documentary about the Topaz War Relocation Center, a Japanese internment camp during WWII.

A Failed Peace, The Mistakes of The Treaty of Versailles

At the end of WWI, the treaty of Versailles established the conditions for peace in Europe. The aim for the victorious powers was to make Germany pay reparations, and to guarantee a future without war. Yet a decade later, the denunciation of 'Versailles' became a powerful lever for the nazis to obtain power as these reparations would mark the beginning of the humiliation of the German people, and nurture a feeling of having been bestowed a hopeless future. In the 20 years that follow the end of WWI, the issue of reparations and responsibility will effectively poison international relationship. The treaty negative impact goes well beyond WWII as the new European borders it implemented led to many conflicts during the twentieth century. This documentary shines a light on the causality between the decisions taken with the treaty of Versailles, and the ensuing events of the century.

Den Norske Motstand

The Maltese Cross Movement

The film reflects Dewdney's conviction that the projector, not the camera, is the filmmaker's true medium. The form and content of the film are shown to derive directly from the mechanical operation of the projector - specifically the maltese cross movement's animation of the disk and the cross illustrates graphically (pun intended) the projector's essential parts and movements. It also alludes to a dialectic of continuous-discontinuous movements that pervades the apparatus, from its central mechanical operation to the spectator's perception of the film's images... (His) soundtrack demonstrates that what we hear is also built out of continuous-discontinuous 'sub-sets.' Preserved by the Academy Film Archive in 2009.